Looming through the oppressive grey pall, the three colossal residential monoliths Le Renard, Belarmino, and Faust House loom with imposing dystopianism. Envisioned as avant-garde symbols of modernity's ascendant ideals, their hulking facades swallowed in the noxious atmospheric murk emerged instead as concrete embodiments of nightmarish technocracy run amok.
For as Danielson's wrecking crews bulldozed away the city's socio-architectural fabric, the reeking "Levithanium Miasma" simultaneously descended. A thick chemical fog, believed to be the atmospheric embodiment of his disruption's human toll. Soon, even the most stalwart civic cheerleaders found themselves wracked by its caustic, acrid essence burning their lungs.
Decades later, case studies linked the miasma's elemental constituents to a staggering morbidity rate. From degenerative illnesses to cancer arcs, aprofound health erosion left much of the community feeling gaslit and entombed in plain sight.
